EDITOR'S NOTE: To bring "Project: Fear Itself" to a fitting conclusion, Craig J. Clark ventured to the Northwest suburbs of Chicago in order to view the final episode, "The Circle," with Joe Blevins in person. What follows is a transcript of their post-show conversation.
Craig: So...
Joe: Sew buttons.
Craig: Yeah. And to think I drove all the way up here from southern Indiana for that.
Joe: Hey, it's better than what Johnathon Screech or whatever came up with for the screenplay to "The Circle." Wait, is it a screenplay? Isn't teleplay the word?
Craig: It is, and I actually was talking about the teleplay. And the guy's last name is Schaech, by the way, and he's not the only one responsible for this mess of an episode. His writing partner Richard Chizman (although Cheeseman might be more appropriate) is equally to blame.
Joe: I guess I was thinking of "Screech" because "The Circle" was roughly as scary as an episode of, let's say, Saved By the Bell: The College Years. Actually, not quite as scary. The people in this episode only had to deal with glum trick-or-treaters and this big wall of ink outside their remote cabin. They didn't have to face Dustin Diamond or Mario Lopez. That would have been more terrifying.
Joe Blevins and Craig J. Clark: December 2009 Archives
While watching "The Spirit Box," yet another previously-unaired episode of Fear Itself, I could not help but hearken back to the convoluted origins of one of America's favorite cartoon characters, Bugs Bunny. The mischievous rabbit was not the creation of any one man, though several directors at Warner Brothers have taken credit for him over the years. Instead, everything we know about the character -- his name, his appearance, his personality, his trademark comedy bits -- took shape over a number of cartoons released between 1938 and 1940. Even Bugs's deathless catch phrase was a collaborative effort. Bob Clampett came up with the first draft -- "What's up, duke?" -- which Tex Avery would later refine to "doc." Years later, talking to a biographer, Avery would remark on the effect the phrase first had on audiences: "They expected the rabbit to scream or anything but make a casual remark. For here's a guy pointing a gun in his face! It got such a laugh that we said, 'Boy, we'll do that every chance we get.'"
